KNOWN/UNKNOWN: A celebration of Carolee Schneemann

Meet the Speakers

Rachel Churner is the director of the Carolee Schneemann Foundation. She is also an art critic and editor, whose writings have appeared in Artforum and October magazine, among other publications. She was a recipient of The Andy Warhol Foundation Arts Writers Grant in 2018 and was the editor of Hans Haacke (MIT Press, 2015), two volumes of writings by film historian Annette Michelson (MIT Press, 2017 and 2020), and Yvonne Rainer: Revisions (no place press, 2020), as well as books and exhibition catalogues on Jaime Davidovich, James Ensor, and Charlotte Posenenske. She owned and operated Churner and Churner, a contemporary art gallery in New York, from 2011–2014. Churner holds degrees in Art History from Stanford University and Columbia University and currently teaches in the Department of Visual Studies at the Eugene Lang College of Liberal Arts at the New School.

Cathy Wade is an artist and writer who investigates how practice can be created and distributed in collaborative partnerships and through the creation of commons. Their work seeks to understand the experience of contemporary conditions through exchange with others. They are course leader for MA in Arts Education Practices at BCU; and are currently curating new work with artist Hannah Sawtell at Vivid Projects alongside facilitating Black Hole Club, Vivid Projects’ artist development programme.

Lotte Johnson is a curator at Barbican Art Gallery, London, where she is curating the forthcoming retrospective Carolee Schneemann: Body Politics, opening in September 2022. Her work as a curator, writer and art historian focuses on interdisciplinary artistic expressions, feminist practices and transcultural dialogues, with a particular interest in performance. At the Barbican, she has curated solo artist commissions by Toyin Ojih Odutola (2020), Jamila Johnson-Small (2019), Yto Barrada (2018) and Bedwyr Williams (2016) and contributed to a number of major exhibitions, including Into the Night: Cabarets and Clubs in Modern Art (2019), Basquiat: Boom for Real (2017) and The World of Charles and Ray Eames (2015), editing and authoring publications for many of these projects. She previously worked at The Museum of Modern Art, New York, contributing to exhibitions focused on Jean Dubuffet, Ellen Gallagher, Paul Gauguin, Jasper Johns and Dieter Roth.

Paper birch

Glaswegian musician, Fergus Lawrie of cult band Urusei Yatsura and London-based musician, Dee Sada come together as Paper Birch to share their mutual feelings of despair, fragility and hope in this collection of nine songs. The album, MORNINGHAIRWATER was written under lockdown between May and June 2020 as a result of the fervent correspondence of lyrics, ideas and sounds.

The album will be released in August on TAKUROKU, the new digital label from underground arts venue, Cafe OTO.  

There will be a preview of 3 tracks and live interview with the band on Saturday July 11th on the Hello Goodbye show on Resonance FM.

Track listing:
Summer Daze
Love For The Things Yr Not   
Elegy (As We Mourn)
Curse Us
I Don’t Know You
Hide
Blue Heartbreak
Cemetery Moon
Fallen

Artist: Paper Birch
Title: MORNINGHAIRWATER
Label: TAKUROKU
Release Date: August 2020 (digital)

Teenage Superstars

The plans were inacted; Saturday August 15th at Cafe OTO – an evening dedicated to Grant McPhee’s documentary, Teenage Superstars, conversations with Grant, live performances…it was all happening.

In light of the universe coming to a painful standstill, there will be an online screening and live chat with Grant and musicians such as Duglas T Stewart from BMX Bandits and Eugene Kelly from The Vaselines which I will host via my humble Twitter account: @deesada1 at 6pm GMT on Saturday May 2nd.

The film will be available to stream via the Raindance Film Festival website.

And the chat will start on Twitter.

More musicians will be announced…See you there x

 

A Life Between Two Islands, Cafe Oto, October 6th and 7th

Screen Shot 2018-07-03 at 11.49.26
A still from Peter Davis’ 1965 insightful documentary, Immigrants. The film is a fascinating examination of post-war migrant communities in Britain. Through a series of interviews with immigrants who had recently moved to the UK, we’re given insights into the role race and immigration played in mid-1960s British society.
I have worked with Peter on a few events at Café OTO as he has made a number of documentaries on RD Laing and he was a speaker at our Dialectics of Liberation Reconvened event in 2016.
We will be screening the film at our Stuart Hall event at Café OTO in October.
More details and a full line-up soon!

Counter | Culture

Counter | Culture takes place on Sunday 8th October at Cafe Oto:

AN EXPLORATION OF COMMUNITIES, ISOLATION, MENTAL HEALTH AND ACTIVISM.

– Screening of ‘Estate’ dir. by Andrea Luka Zimmerman (2015) 85 mins and Q&A with Andrea Zimmerman.
Filmed over seven years, Estate, a Reverie reveals and celebrates the resilience of residents who are profoundly overlooked by media representations and wider social responses. Interweaving intimate portraits with the residents’ own historical re-enactments, landscape and architectural studies and dramatised scenes, Estate, a Reverie asks how we might resist being framed exclusively through class, gender, ability or disability, and even through geography…

– Shy Radicals: The Anti-Systemic Politics of the Introvert Militant (2017) Hamja Ahsan book talk
Shy Radicals are the Black Panther Party of the introvert class, and this anti-systemic manifesto is a quiet and thoughtful polemic, a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia. Shy Radicals author Hamja Ahsan is an artist, curator and activist based in London. He is the Free Talha Ahsan campaign organiser.

– Screening of ‘Lift’ dir. by Marc Isaacs (2001) 24 mins
A quietly fascinating meditation on the mundanities of London life. Installing himself inside the lift of a high-rise block of council flats, Isaacs and his camera patiently observe the residents as they go about their daily business. As each of his subjects enters the lift, it’s interesting to note their reactions to him being there; some are suspicious, others curious, and then there are those who seem more comfortable in his presence.

LIVE:

ORAL ORAL formed via a request from artist Wolfgang Tillman’s to perform at his annual end of summer party in September 2009 What started as an ‘art happening’ evolved over a period of time.

Initially Princess Julia wrote a ‘monologue’, which questioned the structure and landscape of change, both on a physical/mental level and in an architectural sense with references to Wolfgang’s work. Our repertoire expanded to include subjects which deal with various (un)comfortable zones of flux and interaction within the human condition.

We work within a framework of minimal preparation but with a true sense of direction.

Oral Oral is a collective, current members are Dee Sada-drums/bass/electronics, Max Allen-vox, Princess Julia-vox.